How To Do A Presentation On Cleopatra Makeup
Over the summer menses, I watched the moving-picture show Cleopatra (1963). As suggested by the championship, the motion picture is based on the life of female person ruler of ancient Egypt, Cleopatra. I chose to watch this moving picture due to its notoriety for Hair and Make upwards design as well its impressive casting, including the championship performance past iconic Elizabeth Taylor.
Prior to watching this, my expectations of the film were that its content would be focused on the life of Cleopatra, even so of this I had very little knowledge. I had visions of traditional ancient Egyptian attire and make up with dominant accents of blue and aureate, based on previous learning's of ancient Egyptian culture. I found this film very intriguing for a number of reasons, but I found that it'southward wider message regarding women in society most influential. I will be going in to greater detail of how this message as well as narrative and character are conveyed through cinematic techniques.
Earlier whatever visual hits the screen, the opening music is specially 'Arabian' in sound, which confirmed expectations of a historical and cultural portrayal. The opening titles are displayed to us in mosaic similar renderings of stills from the movie, reinforcing this thought that this movie is a historical and accurate representation of Cleopatra's life.
Our first meeting of Cleopatra tin be seen in the nevertheless beneath. Her make upward and hair are quite consequent with my preconceived ideas of the Egyptian 'await' with an exaggerated graphic lining to eyes framed by a thick, blunt bob of black pilus around the confront. It'south quite interesting to see that Taylor's brand upwards is actually as well referencing the prominent look of the 60s. The 'look' of the 60s female was much concerned with youth, perfecting a flawless base and cartoon attention to the eyes with more dramatic liner and eye shadow. I think the reason the director has chosen to go on Cleopatra's look then familiar is that he wants the female person viewer to be able to relate to her grapheme and almost importantly her thoughts and emotions. By referencing the current time, the grapheme of Cleopatra doesn't seem quite and then distant from the viewer.
Another aspect of the mise en scene in this scene is also quite revealing about this pivotal graphic symbol. Cleopatra's costume is both waist hugging and tightly fitted, this combined with a vibrant hue of deep blood-red suggests sexual availability. On summit of this, the tone of cherry used is consistent with that used on Roman uniform, most notably Caesars, giving the audience a hint of a possible romantic connectedness between the two characters.
Pacing and sequencing of this films course has also played a function in carrying both narrative and character. There is sequence of roughly five; four-second scenes that cross dissolve in to each other. These scenes have it in turns to present Cleopatra going near daily business organization and Caesar recovering from an set on. The way these are paced methodically together in a fairly slow pace gives us the inclination that Cleopatra's character is consumed with thoughts of Caesar throughout the twenty-four hours, playing a part in her daily activities. This effect further reinforces in the viewers listen the growing relationship between the two characters.
In epitome below, you lot can run across a scene in which Caesar forces his way in to Cleopatra's chambers, demanding an audition with her. The Posing and construction of this shot I find to be very telling of Cleopatra's character. I personally establish this image to reference the painting 'Sleeping Venus' painted by Giorgione in 1510.
I think the reason the manager might have referenced this portrait through posing is because Venus is the goddess of femininity, it drives home a sense of confidence and ability within Cleopatra by enforcing the idea that she identifies herself as a god.
I also discover this very reminiscent of some other painting. Manet's Olympia is similarly referenced in this scene through Cleopatra's nudity and positioning, likewise as her gaze towards the audience. Olympia is universally identified every bit prostitute in this portrait, and we are led to think that the flowers presented to her are a gift from a male client who has entered the room unannounced (this could exist why Olympia'due south gaze is so antagonistic). The managing director has drawn a parallel between Olympia and Cleopatra, in the sense that although they are actually stiff, independent and fairly powerful women, they are none the less still at the mercy of men.
I found a lot of the dialogue in this movie to be quite beautiful. But a particular quote really struck a chord with me and gave me an even better understanding of the films message and intent. In a discussion with Anthony (Richard Burton) Cleopatra explains how she doesn't want 'Love' to be her chief:
"Give yourself to love, y'all give yourself to forgetfulness of what you are. And who you are and what you want."
This is a very poignant quote, that I think really sums up the movie'southward intended meaning – it's designed to make yous feel sympathy for Cleopatra and her struggle to maintain her status as Pharaoh of Arab republic of egypt whilst too existence loved and loving in render.
In 1 of the penultimate scenes featuring Cleopatra and Anthony, nosotros see Cleopatra in an entirely dissimilar style from the residue of the film. For the showtime time we see Cleopatra from a high angle shot, making the suggestion that she's been weakened. This is in stark contrast to the audition'southward offset impression of Cleopatra who is conveyed to be confident, powerful and a little scrap mischevious.
Overall, cinematic techniques has been orchestrated throughout the film to portray cleopatra'south turbulent life and convey a struggle to residual love with her duty every bit pharaoh of Egypt. I think the wider message the director is trying to put beyond through the film is that women of the decade can place with Cleopatra in the sense that there is a real life struggle for women to pursue beloved and family likewise equally to be taken seriously in the working world. The defiant nature of Cleopatra's suicide is perhaps a sign that, despite the inequality, woman have to brand this decision.
Image Sources:
All motion picture stills taken from Cleopatra (1963)
http://theschoolofstyle.com/weblog/must-haves-of-the-calendar week-movies-for-a-cold-winter-nighttime/
https://world wide web.google.com/culturalinstitute/asset-viewer/ywFEI4rxgCSO1Q?utm_source=google&utm_medium=kp&hl=en-GB&projectId=art-project
http://world wide web.wga.hu/html_m/g/giorgion/various/venus.html
Source: https://fms505colesc.wordpress.com/2015/10/13/cleopatra-1963-an-analysis/
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